Capote (2005)

Philip Seymour Hoffman showed me in Bennett Miller's Capote why he is an underrated actor. I really only remember Hoffman distinctly in a handful of movie roles, almost all films by P.T. Anderson (Magnolia, Punch-Drunk Love, and Boogie Nights), but to me, this movie is pivotal for Hoffman. I liked him in Almost Famous and Twister, but I never once got to see Hoffman in the spotlight; he was always off to the side somewhere. But now, he has arrived.

I assume most people read Truman Capote's book In Cold Blood in high school, a book I really enjoyed reading. I can't believe how much of the book I remembered, especially since the movie--a true story about two gunmen who executed a family of four in Kansas in 1959--tracked the book very closely. From what has lasted in my memory, the power of In Cold Blood was it's non-fiction base; some say Capote invented a new genre of literature, something Capote would definitely say so himself. Capote ventured to Kansas as a writer for the New Yorker and found himself with a wealth of material, which over roughly six years accumulated into a book.

Capote (and the audience) develop a strong relationship with Perry Smith, who was one of the murderers on death row, who Capote visited intermittently. Of course, my view of the original book is skewed since I read it awhile ago, but I distinctly remember Perry Smith being a sadder, dumber, more pathetic character, pushed around by his co-conspirator. The Perry Smith of this film is much more composed. But I don't know if this detracts from the film at all, since the actor who plays Smith, Clifton Collins, Jr., does the best acting in the entire film (even better than Hoffman). I sort of remember Collins (who is sometimes called Clifton Gonzales Gonzales) in this great little war film called Tigerland, which was also a great film.

Two smaller things. First, I was a little unimpressed with the lack time given to the other murderer, Dick Hickock. It would have definitely helped for the audience to compare Hickock's demeanor (unapologetic, self-interested) with Smith's, which is much more fragile and introspective. Second, I really enjoyed seeing Catherine Keener in the film, who played Harper Lee, a famous author in her own right who was Capote's friend and research assistant for the book. I really like her, but I was afraid at first that she would not be able to overcome how I remembered her character in Lovely and Amazing, in which she played a lethargic, middle-class bitchy character. She was fantastic in both films.

Although the movie spans the years he wrote his wildly successful book, I am happy the movie was titled Capote, because it was about him as opposed to Smith or Hickock. For those of you interested, I would recommend the 1967 movie In Cold Blood, directed by Richard Brooks, in which Robert Blake plays Perry Smith. For some reason I found that movie to feel much darker since it was made earlier and was about such a brutal murder.